全球潜动谱回顾 Global Underscore Harvest

2019.06.22

周六的午后，我们一起开启身体的旅程

依循着潜动谱前进~

On Saturday afternoon, we started our journey together

by following the Underscore~

参与者Participartor：

郑聿倩 Yu Chien Cheng, 陈丹怡 Dan Yi Chen, Nick F a llon , 方青 Qing Fang, 黄勇 Yong Huang, 宁子Yang Haining, 刘正 Zheng Liu , 孟凡 Fan Meng, 屈鹏飞 Peng Fei Qu, Josephine Shantih Shala , 王兵 Bing Wang, 俞蓉 Rong Yu, Huang Yan, 静山Jingzheng

摄影： 林方

分享Harvest：

1. 感觉自己经常会忘记身处于潜动谱结构之中。

I feel that I often forget that I am in the structure of the underscore.

2. 音乐是一种元素，会带来情绪，有时候就可能被音乐带着走，而失去了观察，而有时候也可以用来帮助自己放松，进入到舞动的状态。

Music is an element that brings emotions. Sometimes it can be taken away by music, and then I loss observation. Sometimes it can be used to help me relax and enter the state of dancing.

3. 第一次接触即兴，感觉到身体语言非常有力量，能传递比文字语言更多 的信息，而看到别人用身体的各个部分做支点，也感受到身体的力量。第一次如此探索自己的身体，很放松。

This is my first contact improvisation experience. I feel that the body language is very powerful, can convey more information than the daily language, and see others using the various parts of the body as a fulcrum, which also represent the power of the body. The first time I explored my body so much. I feel so relax.

4. 灯光的变化也非常有戏剧感，明暗的变化，色温的变化，跳舞时的感受就不一样。

The changes in lighting are also very dramatic. With changes in light and shade and changes in color temperature, I have different feelings when dancing.

5. 和舞酱有什么样的区别？

What is the difference between Jam and Underscore?

5-1 发现有更多的意识参与了，觉知到更多自己与他人，与环境的关系。

I found that more consciousness was involved, and I was aware of more relationships with my. self, others and environment.

5-2 有了结构，有了框架，就好像有了标注，也会更多地观察了。

With the structure and the framework, it seems that there is a clue, and I will observe more.

5-3 潜动谱本身就是来自于舞酱的总结，也许并没有什么区别。

The underscore itself is a summary of the Jam, and maybe there is no difference.

5-4 去掉了原先熟悉的伙伴身上的标签，用空白的意识去跳，去流动，仿佛回到了婴儿状态。

I removed the label from the familiar partner. I dance with a blank consciousness, with flow, as if returning to the baby state.

5-5 有了结构，片段感也更加清晰了，不像平时的舞酱好像是一整块的。

With the structure, the fragmentation is also clearer, unlike the usual Jam which seems to be a whole piece.

5-6 会更多地感知周围的环境了，感觉今天的自己接触更轻了，而且与平时喜欢在地上打滚的自己不同，今天的自己更喜欢站起来，也会变化跳的节奏感了。

I sense more about the surroundings. I feel that my touch is lighter today. Usually I like to roll on the ground, today I prefer to stand up and change the rhythm of dancing.

6. 用身体与他人对话，与自己对话，有种触动，想哭的感觉。虽然睁开眼的时候还是会卡住，但闭上眼的时候，伙伴的性别，年龄，身材都不再重要，剩下的就是流动。想起自己曾经纠结过的往事和冲突过的观念，过去仿佛也随之流动起来了。

I use my body to talk with others and talk with myself. There is a feeling of touching and crying. Although it will still get stuck when I open my eyes, when eyes closed, the partner's gender, age, and body are no longer important, only remains flowing. Reminiscent of the past and conflicting ideas that I have tangled, the past seems also start flowing.

7. 潜动谱仿佛人生，人与人的聚散离合。

The underscore is like life, the gathering and separating of people.

8. 为什么潜动谱叫潜动谱呢？因为希望感受那潜在的，底下的东西。

Why it is named underscore? Because we want to feel the potential, the bottom thing.

9. 潜动谱的「游走」阶段很好玩，以前舞酱时，自己经常会很快就和舞伴进入一段比较长的即兴，并不会跟很多人都有接触，而「游走」的阶段，要求与对方只是一个短暂地接触，然后就离开，很特别，也很好玩。

The "grazing" stage of the underscore is very fun. In our usual Jam, I often quickly entered a long period of improvisation with others, and did not have enough contact with other people, and the "grazing" stage, usually just a brief contact with the other person, then leaving. It's very special, also very fun.

10. 很享受在边上的观察，把手圈成小圈，透过小圈来观察场地中发生地一切，聚焦在一个人，甚至一个小小的关节上，很特别。

I enjoyed the observation on the side, and observe the field through my finger circle. Focusing on one person, even a small joint. It is very special.

11. 观察者并没有真的离开这个场，只是换了一个角色参与其中。

The observer did not really leave the field, just changed a role to participate.

12. 潜动谱是一种很适合舞酱的即兴框架，开始一个人感受，然后慢慢进入关系，联系，循环，然后慢慢淡出，最后结束。

The underscore is an impromptu framework that is very suitable for Jam. Start with one person's own feelings, then slowly enter the relationship, contact, loop, then slowly fade out, and finally come to an end.

13. 感受到不同的身体有着不同的风格，有的是他们原来的身体技术带来的，比如瑜伽，比如太极，但更多的是他们与生俱来的一种身体性格，很特别的感受。

I feel that different bodies have different styles, some may from their own body techniques, such as yoga and Tai Chi, but I believe it is a kind of physical character that they are born with. It is a very special kind of feeling.

14. The Globe Underscore format is a very nice idea, but it would’ve been more helpful if there was a visual demonstration to show/describe each situation. Example: show two people colliding to illustrate “collision” . It would’ve also been much more effective if students were being told/shown which phase we are in during the Underscore. Example: use a marker and circle ⭕️ which phase we are in on the board/mirror, ring a bell to indicate we have moved onto another phase. I felt that there wasn’t any clue to show us which phase we were in, or it is supposed to be an entirely open format?

全球潜动谱是一个非常好的主意，但如果有一个可视化演示来展示/描述每种情况，会更有帮助。例如：显示两个人碰撞以说明“碰撞”。如果学生可以被告知/显示我们处于哪个阶段，觉得练习的成效更好。例如：用标记或圆圈⭕️提示我们已经进入的階段，並敲响铃声提示我们已经移动到另一个阶段。我觉得当天的练习，没有任何线索告诉我们我们处于哪个阶段，或者它应该是一个完全开放的格式？

明年再见 See you next year.